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Dan Dahlstrom: Putting Paint in New Places

Posted by Shore Publishing on Oct 01 2009, 10:26 AM
By Rita Christopher, Courier Senior Correspondent

No one would deny that Dan Dahlstrom knows paint. Longtime Essex residents will remember the family’s store, Carl Dahlstrom & Sons Paint and Wallpaper. Dan, a l972 graduate of Valley Regional High School, worked there for 25 years until the store closed in l999.

For the last five years, Dan has been a security officer at Chester Village West, but paint is still very much a part of his life. As an artist, Dan, who lives in Chester, is having the first one-man show of his paintings at the Hidden Gallery in Old Lyme, opening on Saturday, Oct. 3.

“I never would have thought five years ago that anything like this would ever happen,” Dan says.

Painting started, Dan says, as something to do during off moments at his job. He started sketching residents in pencil. It fascinated him, much to his own amazement. His mother and brother had painted, but Dan never thought he had much
artistic talent.

From pencil sketches, Dan moved through watercolor and acrylic; he now paints in oil. He discovered Chester Village West residents had a scholarship foundation to give grants to employees and the children of employees. He applied, received a stipend, and, for the last three years, has studied at the Lyme Academy of Art.

“I knew it was one of the best and it is accredited, which is one of the requirements of the scholarship program,” Dan says.

“We are very proud of what Dan has accomplished,” says Art Bradley, head of the residents’ scholarship foundation. “His
artistic ability has increased eight- or 10-fold over the last three years. We’re very pleased that he is having his first, full-fledged showing as an artist.”

Chester Village West is providing a bus so residents can attend Dan’s opening.

At first, attending art school was intimidating to Dan.

“I was a wallflower at those first classes, but for the last few years I’ve been quite comfortable,” he says.

He says the benefits are not simply in the instruction he has received, but also in the camaraderie he has found with other artists.

“Being around that atmosphere really helps,” he says.

Good business sense also helped Dan as he began to look to selling his paintings. He owns a timeshare at Water’s Edge in Westbrook and, when he showed some landscapes featuring the resort to Tina Dattilo, the resort’s general manager, she responded not only by buying a small
painting, but also by allowing Dan to exhibit his work at the resort. He is the only artist with permission to show at Water’s Edge.

“Some guests who come to weddings here have even bought his pictures as wedding presents,” Dattilo notes.

Dan recalls he sold a painting of the gazebo on the property to a man who had proposed in the building. Subsequently, Water’s Edge commissioned him to do a paining of the gazebo, which now hangs in front of the lounge. He is also doing a commissioned work for the River House at Goodspeed Station in Haddam.

Dan says that Kariann Price, who owns a gallery in Deep River, was the first to exhibit his pictures and he has already been in group shows at the Hidden
Gallery in Old Lyme. This summer he approached Hidden
Gallery owner Cindy Fetcher about having his own show.

“I’ve invited a number of people and hopefully some of them will show up,” he says. He says the show will feature his landscapes, but will also include a nude—“not that risqué,” he adds.

Dan thinks in the last four years he has done more painting than people who have painted intermittently for much longer. Though he works full-time, he paints every day.

“I’m driven to keep painting,” he explains. “I just do it day after day.”

He would like to branch out, exhibiting his work at galleries in Newport, where he has already done some pictures, and, someday, he says, even New York City.

Locally, he says, many people still recognize him from the paint shop. He says the years of mixing paints for customers has made him more sensitive to how the same color can look dissimilar in different lighting and against different backgrounds. His work today, he points out, is still all about the paint.

“It’s just that I put it on canvas, not on walls,” he says.

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